A documentary about the recent resurgence in sales of vinyl records and its impact on the industry.

Play by Howard Barker about a sculptor who works to finish off a memorial to the Royalist years, as Cromwell's men break down the surrounding cathedral walls. (from http://ftvdb.bfi.org.uk/sift/title/315346) 　　download: http://britbitsandclips.com/AR_TV.htm 　　script: http://britbitsandclips.com/PityinHistory.htm

A fat, ugly creature whose sole purpose in life is the pursuit of sexual gratification is rapidly taking over Australia. The cane toad--Bufo marinus--was imported to Australia in 1935 in an attempt to rid the country of the Greyback beetle, which was devouring the sugarcane crop. Problem was, the beetle could fly, and the cane toad couldn't. What the cane toad was unusually proficient at, however, was making more cane toads. A very humorous look at a most peculiar problem.

Harriet, who thinks that no real man compares to Mr. Darcy, is transported into Pride and Prejudice and gets an unexpected chance to find out. Starring Eliza Bennett and Nicholas Bishop.

A young man reckons with the world's most contrary and evil lawnmower.

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Jong-hwa is a famous writer who don't respond to interviews. Not long ago, his early novel, "Last Love" was made into a drama and aired. Even the original novel is No. 1 in sales. One year has passed since he married his wife, Soo-jeong. Without the permission of Jong-hwa, Soo-jeong accepted an interview, and so he is forced to give an interview for the first time in his life. Mi-soo is the brother the reporter had been waiting for so long. First love. My wife... Fifteen years ago, she suddenly disappeared from Jong-hwa's side. Seeing him, Jong-hwa wanted to ask more than the reporter, Mi-soo. Mi-soo came to Korea for an interview as an editor of a magazine that is unrivaled among Korean wave media in China. As an editor-in-chief he never went to Korea, but did after 15 years just for this interview. The meeting of the two reminds them of their good and bad times, and recalls the past...

暂无剧情简介

Explore different periods of human history through a variety of sketches.

Shinee World V (promoted as SHINee Concert "SHINee World V") is the fifth concert tour by South Korean boy group Shinee. The tour kicked off in Seoul with three concerts held between September 2–4, 2016.