It's about human history, how humans shaped the world we live in. A history through cultures and civilizations - from early Mesopotamia to the industrial revolution.Documentary series from various european production company’s like BBC, SVT, NRK, DR, ARTE, Covering serveral topics of war, Persons Like Cleopatra, Hitler, George Washington, etc

A documentary about the recent resurgence in sales of vinyl records and its impact on the industry.

"An Introduction to David Lynch" is a featurette originally released in the 2001 DVD release, Twin Peaks: The First Season. It features interviews with Catherine E. Coulson, Charles Ramirez-Borg, Lesli Linka Glatter, Miguel Ferrer, Michael J. Anderson, Kyle MacLachlan, Duwayne Dunham, Sheryl Lee, Peggy Lipton, and Richard Beymer, each discussing the filmmaking processes and methods of Twin Peaks co-creator David Lynch.

Play by Howard Barker about a sculptor who works to finish off a memorial to the Royalist years, as Cromwell's men break down the surrounding cathedral walls. (from http://ftvdb.bfi.org.uk/sift/title/315346) 　　download: http://britbitsandclips.com/AR_TV.htm 　　script: http://britbitsandclips.com/PityinHistory.htm

Play by Howard Barker about a sculptor who works to finish off a memorial to the Royalist years, as Cromwell's men break down the surrounding cathedral walls. (from http://ftvdb.bfi.org.uk/sift/title/315346) 　　download: http://britbitsandclips.com/AR_TV.htm 　　script: http://britbitsandclips.com/PityinHistory.htm

A fat, ugly creature whose sole purpose in life is the pursuit of sexual gratification is rapidly taking over Australia. The cane toad--Bufo marinus--was imported to Australia in 1935 in an attempt to rid the country of the Greyback beetle, which was devouring the sugarcane crop. Problem was, the beetle could fly, and the cane toad couldn't. What the cane toad was unusually proficient at, however, was making more cane toads. A very humorous look at a most peculiar problem.

A fat, ugly creature whose sole purpose in life is the pursuit of sexual gratification is rapidly taking over Australia. The cane toad--Bufo marinus--was imported to Australia in 1935 in an attempt to rid the country of the Greyback beetle, which was devouring the sugarcane crop. Problem was, the beetle could fly, and the cane toad couldn't. What the cane toad was unusually proficient at, however, was making more cane toads. A very humorous look at a most peculiar problem.

The series heads to the very frontiers of space and science to produce the definitive television history of science fiction, told through its impact on cinema, television and literature, with the help of filmmakers, writers, actors, and graphic artists. Each episode will explore one of the enduring themes of science fiction: time travel; the exploration of space; robots and artificial intelligence; and aliens.

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."